Damien Hirst / Arnulf Rainer exhibition to go on display in Baden

Hirst's series of paintings, 'Two Weeks One Summer', to be shown alongside a selection of key Arnulf Rainer works in Baden (April 25 - October 5 2014).

‘Two Parrots with Grotesque Baby’ (2010)
Damien Hirst
Oil on canvas

Photographed by Prudence Cuming Associates © Damien Hirst and Science Ltd. All rights reserved, DACS 2014

2 April 2014

A series of Damien Hirst paintings are to be shown for the first time in Austria, at the Arnulf Rainer Museum in the Frauenbad Baden. Works from Damien Hirst’s 'Two Weeks One Summer' series – made between 2008 and 2012 – will encounter Arnulf Rainer’s finger paintings, actionistic Face Farces and contemplative over-paintings from the early 1950s.

Curator Rudi Fuchs has brought together a carefully assembled group of over eighty works in the exhibition, which is entitled: 'DAMIEN HIRST / ARNULF RAINER' (commotion)'. The works of Rainer and Hirst continuously alternate thereby developing a creative dialogue, similar to that of a literary narrative or musical composition.

Hirst’s paintings were realised in a studio in the garden of his Devon home. By way of contrast to his previous series, they were made outside of the studio system the artist developed in the early 90s. In a marked departure from his  spot and spin paintings, Hirst found that these new works allowed a far more personal approach: “All that expression – doubts, fears, everything – can come out in this arena.”

In the 1950s Arnulf Rainer formulated articles and propositions that contained what he considered to be painting’s central task: to be a “visual ‘form’ of spiritual consciousness”. He went on to develop a concern with the proximity and consequences of life and death. In his painstakingly calculated installations and assemblages Hirst's work is also tightly bound to concerns of growth and decay. The two artists are ultimately united in their shared belief that painting, as one of the most complex means of artistic expression, forces the painter to be truthful.

Since September 2009 the Arnulf Rainer Museum, situated in the classicist building of the former women’s baths, has been alternating monographic and thematic exhibitions of the multi-layered oeuvre of the world famous artist from Baden. After GEORG BASELITZ - ARNULF RAINER: NEWS FROM THE ATELIER (2011) and MARIO MERZ – ARNULF RAINER: DEEP WIDE [FRAGMENTS] (2013), DAMIEN HIRST / ARNULF RAINER is the third exhibition that places Arnulf Rainer’s work in dialogue with that of one of his contemporaries. 

A catalogue, with an essay by Rudi Fuchs, will be published to accompany the exhibition.